NO.755ANIMEOOTDMakoto Konno
NO.755ANIMEOOTDMakoto Konno
ANIME OOTD / CHARACTER ARCHIVE
Makoto Konno
Makoto Konno
The Girl Who Leapt Through Time ↗ / 2006
Makoto can redo a bad day, but she cannot choose happiness for her friends. Her summer turns time travel from an escape into a lesson in taking responsibility.
High-school student who discovers time-leaping
My figure room →Featured worksFEATURED WORKS
Makoto Konno ArtworkILLUSTRATION GALLERY
查看更多 →
AI-assisted illustrations · Not official anime stills
Makoto Konno Reaction StickersREACTION STICKERS
角色档案
ABOUT Makoto Konno / 01—0601First appearance and background
Makoto leads Mamoru Hosoda’s 2006 Madhouse film, released in Japan on July 15 and voiced in Japanese by Riisa Naka. The film develops a new story from Yasutaka Tsutsui’s premise; Makoto is not the novel’s heroine Kazuko Yoshiyama.
02Personality and appeal
Athletic and impulsive, Makoto is much less confident about romance than about a game of catch. Her early leaps fix lateness, awkward moments and short karaoke sessions: the temptation is simply to postpone anything uncomfortable.
03Story journey
A bicycle-brake accident reveals her ability to leap back in time. Fixing her own troubles can transfer harm to someone else, while a number on her arm warns that the power is finite. The later story asks what she will do when another reset is no longer available.
04Relationships
Chiaki Mamiya and Kōsuke Tsuda are her close friends and baseball partners. Chiaki’s confession unsettles the trio’s familiar balance. Kazuko Yoshiyama is Makoto’s aunt and confidante, while Miyuki Konno is her younger sister, not another name for Kazuko.
05Versions and visual identity
Cropped hair, a white school blouse and forceful running silhouettes identify the 2006 Makoto. The original novel and the 1983 and 2010 live-action films follow different protagonists or continuities; this page stays with the animated film.
06Fan interpretations
Fan reading: repeated baseball games and journeys home embody the ordinary summer Makoto wants to preserve. The final promise can suggest choosing a future rather than hiding in repetition, but an adult reunion is not shown and should not be presented as confirmed.
