NO.677ANIMEOOTDXiao Qing / Verta
NO.677ANIMEANIME OOTD / CHARACTER ARCHIVE
Xiao Qing / Verta
White Snake ↗ / 2019
Xiao Qing, called Verta in English, is the green-snake spirit of Light Chaser’s films and the lead of Green Snake. From protecting Blanca, she moves into a journey of judging trust, strength and attachment for herself. Sharp expressions and green clothing stand out, while her enduring concern for another person gives that image its emotional force.
Green snake spirit
My figure room →AI-assisted illustrations · Not official anime stills








This version appears in White Snake (2019), before Green Snake (2021) places her at the center. She draws on the traditional green-snake figure, but this page follows Light Chaser’s continuity. Events from the 1993 live-action Green Snake or television adaptations should not be merged into this film character.
Xiao Qing wears irritation openly and acts quickly to protect those she cares about. At first she puts faith in strength, imagining it can prevent loss. Experience forces her to distinguish power from reliability. Defiance, annoyance and pride suit her reactions, but moments of relief also reveal tenderness.
In the first film she seeks to bring Blanca back. In Green Snake, conflict with Fahai leaves her in Shura City without familiar support. Alliances, betrayal and rescue make her decide what to relinquish and what to preserve. These are sequel developments, not events that have already happened in the first film.
Blanca is her central sister and emotional bond; Fahai is an opponent in the sequel’s opening conflict. Contrasting choices by the masked youth and Sima in Shura City reshape her understanding of trust. Sima is not Xuan or Xu Xian, and the film’s reincarnation clues should not be flattened into an unexplained biological relationship.
The fan images preserve black hair, green clothing and an assertive presence, using fully covered robes for everyday avatars and figures. The first film’s historical landscape differs greatly from the sequel’s modern ruins, so artwork can explore both while labeling the version. Stylized portraits do not imply an official product or live-action design.
Shura City’s attachment motif invites a question: when does caring trap someone, and when does it give them a reason to continue? Xiao Qing’s journey resists treating emotion solely as burden or reward. Her changing idea of strength is open to discussion, provided interpretation remains distinct from confirmed plot events.