NO.423ANIMEOOTDYamame Yasashiki
NO.423ANIMEANIME OOTD / CHARACTER ARCHIVE
Yamame Yasashiki
The 100 Girlfriends Who Really, Really, Really, Really, Really Love You ↗ / 2021
First-year high-school gardening-club member / Rentaro’s fourteenth girlfriend
AI-assisted illustrations · Not official anime stills








Yamame Yasashiki comes from The 100 Girlfriends, written by Rikito Nakamura and illustrated by Yukiko Nozawa. Her arrival in the manga dates to 2021: the publisher labels chapter 64 “優敷さん,” and volume 8, released in Japan on December 17 that year, introduces her as a new girlfriend. The series itself began in 2019.
Yamame’s kindness affects something as ordinary as how she walks. The anime’s official profile describes a change from discomfort with her large body to pride in its ability to protect living creatures. One way to read that change is as a growing sense of usefulness: the body that once made her uneasy becomes something she can value.
Spoiler note: the official synopsis for anime episode 29 has Rentaro visit the gardening club to obtain flowers for flower crowns, offering help in the field in return. Her care even for weeds draws his attention, before approaching fire frightens her. This account follows the adaptation’s published synopsis; its episode number is separate from the manga’s chapter numbering.
Yamame is Rentaro’s fourteenth girlfriend and a first-year member of the school gardening club. Her arrival gives the school another place to linger: the field, where spending time together can involve shared work and noticing what matters to someone else. As an interpretation of the ensemble, understanding her means taking an interest in the everyday world she tends.
The official anime model shows a sturdy, broad build with long legs, a teal-green bob and green eyes. White butterflies with dark tips sit near her hair, and a squirrel rests on one shoulder. A pale short-sleeved shirt and tie sit above a yellow-trimmed green waist apron, purple pleated skirt and tan lace-up boots. The manga’s pink duotone portrait supports the face and hairstyle, not their natural colors.
One reader’s interpretation is that Yamame makes room for kindness to look large and strong. Her substantial silhouette and the tiny butterflies can share a frame without either needing to shrink. The stilts give that idea a comic, practical form: care becomes a deliberate action, even an awkward one. This is a reading of her design and behavior, not an official statement of the creators’ intentions.